Mostrando entradas con la etiqueta Post-punk. Mostrar todas las entradas
Mostrando entradas con la etiqueta Post-punk. Mostrar todas las entradas

viernes, 1 de octubre de 2021

TELEVISION PERSONALITIES - And Don't The Kids Just Love It [UK post-punk, new wave, psychedelic 1981] 2009 Fire Records SFIRE002CDE


"The first full-length release from the UK's Television Personalities was originally released in 1981. And Don't The Kids Just Love It is lo-fi, minimalist, and quirky pop, post-punk, psychedelia, and folk from one of the era's most idiosyncratic songwriters. Featuring such classic tracks as 'I Know Where Syd Barrett Lives' and 'A Picture of Dorian Gray,' this is one of the greatest and strangest debut records ever."

 

miércoles, 28 de abril de 2021

SOUND CEREMONY - Sound Ceremony [UK, Canada rock, proto-punk, psychedelic rock 1979] 2018 Celestial Sound Production RWG 002

 


"We bring to your attention, an invitation to the bizarre." So goes the final song on Canadian born guitarist and songwriter Ron Warren Ganderton 1979 LP with his group Sound Ceremony. Ganderton self-released three LPs with the band while living in the United Kingdom during the 1970s and 80s. First came Guitar Star (1978), then Sound Ceremony (1979) and finally Precious As England (1981). Despite some modest distribution and frequent gigs, the band never seemed to really take off and Ganderton eventually returned to his native Vancouver (where he still resides), leaving hundreds of unsold records in the attic of his house. While these copies seem to have been lost to the ravages of time. All of the group's efforts are undeniably unique, but their middle record is the true brain-damaged winner of the bunch. The record surely fits somewhere into the UK punk explosion of the day, but it's also looks back to the mid-sixties rock that Ron cut his teeth on and ahead to some sort of maniac future form of entertainment that perhaps has not been invented yet. Ganderton's mildly "out of it" stream of consciousness lyrics show a clear lack of self-censorship and that's really one of the albums strongest assets. He has created this character of himself as a huge rock star and a sex symbol, and who are we to deny his claims?

Sounds like a jacked up mix of Modern Lovers if they were football hooligans and a British Velvet Underground.

Ron Warren

DALE JENKINS - Undesirable Element [USA post punk, psychedelic 1985] 2021 Got Kinda Lost Records GKL009CD

 


Dale Jenkins’ Undesirable Elements, issued privately in the Washington, D.C. area circa 1985, is a homespun effort deserving of the audience and attention it never received upon initial release. Undesirable Elements—here expanded as Undesirable Element with appended bonus tracks—is a desolate and deconstructed album which touches on the subtleties and extremes of the human condition, and the nuances in between, across gnarled bits of proto-punk via abrasive, fuzzed guitars, and refracted mutant strains of British post-punk through a distinctly American underbelly sensibility. 


domingo, 15 de noviembre de 2020

SCREAMING URGE - Impulse Control (Complete Recordings 1980-1981) [USA punk 1980-81] 2002 Hyped To Death ‎– Homework #101


Columbus, Ohio punk band formed in 1978. On this disc is only a small sample of the music created by the band. The playlist in 1980-81 alone was 120 original songs. "Hitler's in Brazil" is not just a song. It is a collective memory of the totalitarianism that was supposed to be without but that was always lurking within the fabric of our culture then and now. Hitler is everywhere (or is he?) as Screaming Urge will tell you to a pulsing, hypnotic beat. Bringing to consciousness in these songs through melody (or not) and words (or screams) what is latent and needs to be screamed, as in "War (Is Not O.K.)." The 1980 Blue Album was recorded through the enthusiasm of the engineers at the Recording Workshop in Columbus and Chillicothe, Ohio. They took the unprecedented step of recording the entire album for free for the band. Steve Garner was in no-way the producer of that album ­ the band didn't even meet him until after it was recorded. He plunked down the cash for the pressing of the album and threw his name and picture on the back. Plenty of Malcolm McLarens always around trying to claim credit. The 1981 Black and White album was recorded live, but due to the time constraints on vinyl, the clapping cheering rowdiness was removed. A glimpse of this audience can be caught on the track entitled "Hemophilia/Noise." The only overdubs on this recording are extra guitars on "You Make It Hard," "Skitzo Brain," "Hell Yes" and "Lovesick."

Impulse Control

sábado, 17 de octubre de 2020

NIKKI SUDDEN & ROWLAND S HOWARDS - Kiss You Kidnapped Charabanc & Live In Augsburg [UK rock 1987] 2002 Secretly Canadian SC57

 


This extraordinary collaboration between former Swell Maps guitarist/vocalist Nikki Sudden and Birthday Party/Crime & the City Solution guitarist/vocalist Rowland Howard comes highly recommended to those following the post-punk axis that spawned Nick Cave, These Immortal Souls, and the Wreckery. The pair first worked together on Sudden's solo album, Texas, which was also released on Creation and featured brilliant performances from Howard in his trademark knife-edge blues guitar. Further collaboration seemed inevitable, as the duo incidentally shared many connections in the post-Birthday Party scene. Rowland Howard frequently worked with the late Epic Soundtracks in Crime & the City Solution and later in These Immortal Souls. The legendary drummer and vocalist was Nikki Sudden's brother and a key figure in the urban blues sound that grew out of the splitting of both the Birthday Party and Swell Maps. Kiss You Kidnapped Charabanc is an outstanding opus derived of the duo's shared love for the crafts of Alex Chilton and Big Star in their darker moments, Lee Hazlewood, Serge Gainsbourg, sinister country, and Delta blues. The reissue version contains the original album, which at the time of release in 1987 was a dark surprise from the post-punk underground. The album set the precedent for the formation of These Immortal Souls, where Rowland Howard would later present his best songwriting on record. This album holds its own next to later masterpieces Get Lost (Don't Lie) and I'm Never Gonna Die Again, while Nikki Sudden continued to mine the Rolling Stones and T. Rex's songbooks for inspiration with the Jacobites and the French Revolution. The extended reissue includes The Wedding Hotel EP plus the outtake "French Revolution Blues" and an incredible and unreleased 12-song live set from 1987 recorded in Germany, with Sudden and Howard both on guitar and vocals abetted by the Gun Club's infamous drummer, Desperate, and bassist Duncan Sibbald.

Nikki & Rowland