What was available to unknown hard rocking dreamers like Umbra in Denver in 1971-72? Weekend gigs. Nothing but weekend gigs. But there was an upside to that: bands like Umbra could mix original material in with covers, and make enough money to survive. Or in the case of Umbra, to make enough money to build a home studio, where they recorded ads to promote their upcoming shows—and eventually, laid down the eight tracks on this disc. Everything was recorded by bouncing tracks back and forth between two-track and four-track reel-to-reel tape recorders. Spacey intros and weird effects were created by recording guitar licks, then re-recording them played backwards at double speed. What sounds like a flute was the result of blowing over the top of a 14” goose neck (believe it or not).
The resulting tracks are hard edged and heavy, verging on acid rock at times. Makes sense, as Umbra was a power trio most of their too-brief existence. Yet the songs (heavy though they are) have a deft touch. There are weird effects, space rock elements, plenty of melody, and a refreshing category-free approach to writing songs that makes Umbra’s music exciting to hear.
