domingo, 29 de noviembre de 2020

ALEXIS KORNER - Both Sides [UK blues rock 1970] 2006 Castle CMRCD1417

 


By 1970, there were certain things you could count on with an Alexis Korner album. Those included an almost manic stylistic diversity that ran from near-trad jazz and blues to near-blues-rock; a top-notch cast of supporting musicians, and seriously inconsistent quality, in large part because of Korner's hoarse lead vocals. Both Sides has all of these, and remains one of his more obscure efforts, in part because it was issued only in Germany and Holland. Certainly Korner enlisted some top talent, including Free's Andy Fraser on bass; Paul Rodgers (also of Free) on backing vocals; Lol Coxhill on tenor and soprano sax; John Marshall on drums, and Ray Warleigh on sax. Give Korner credit, too, for trying to move with the times, including some nods to soul and heavy rock music along with the blues and jazz that were at his musical core, and making substantial use of a horn section within a loosely blues-oriented format. 

Both

MITCH RYDER - Sings The Hits [USA rock, pop, soul 1968] 2008 DBK Works dbk542

 


Mitch Ryder Sings the Hits has much better balance than What Now My Love, the album which yielded his last and least-potent of six Top 30 singles. Detroit rockers covering the Supremes' Motown smash "Come See About Me" seemed to be in vogue -- Mark Farner and Don Brewer's excellent version showed up on Monumental Funk -- and Ryder does the song justice as well, the two blue-eyed soul copies fun and worthy of comparison. There's only one Bob Crewe original on this collection of covers, and that tune, "Peaches on a Cherry Tree," is combined to good effect with Leiber & Stoller's "Ruby Baby," an R&B hit for the Drifters in the '50s, a post-Belmonts smash for Dion in 1963. The music has that extra something that eluded the What Now My Love album, a little more intensity on songs like "Let Your Lovelight Shine," and the pop/blues version of Rufus Thomas' 1963 hit "Walking the Dog." Crewe mixes vibes in with the earthy keyboard/guitar sound, and it's just great. There are intriguing black-and-white photographs of Mitch Ryder in his prime inside the gatefold, his trademark open-mouth howl on the cover, as it is on All Mitch Ryder Hits and What Now My Love. It's a distinctive voice and sound on these recordings, more refined even than "Devil With a Blue Dress On" and "Sock It to Me Baby." Bob Crewe certainly had the magic, and it is all over tracks like Toussaint's "I Like It Like That" as well as "Sticks and Stones." Ryder even takes on James Brown with very credible renditions of "Please, Please, Please" and "I Got You," and revitalizes the Bing Crosby/Ray Charles classic "You Are My Sunshine" with a uniquely identifiable arrangement that only Ryder could give it. Mitch Ryder Sings the Hits doesn't get the attention it deserves, but is a solid effort from start to finish and makes for a good party record.

Ryder

THE CLOCK WATCHERS - A Mind Blowing Trip Of Psychedelic Sound [USA garage, psychedelic 1990-2000] 2020 Gear Fab Records GF 294

 





21 songs written by Ron Kleim (and one by yours truly) on GearFab records, ClockWatchers original vinyl release in the mid 90's, now the reissue has 10 additional songs!

The Clock Watchers, an enigma in time; recorded in the great Pacific Northwest in a damp and dark garage comes this music, heavy on the farfisa and teenage angst. This is the 1990s or some other place in time their music has put you?



LA BARRA DE CHOCOLATE - La Barra De Chocolate [Argentina garage, psychedelic rock 1970] 2011 Munster Records MR CD 316

 



La Barra de Chocolate was the late 60s project of Pajarito Zaguri, a seminal figure in the birth of Argentina’s “rock nacional.” Their record is a dynamic mix of folk rock, garage rock, psychedelia, and socially conscious lyrics.

martes, 24 de noviembre de 2020

PETER LEWIS - Just Like Jack [USA rock, blues, country 2017] SteadyBoy Records SB-0050

 


Despite his 55-year musical career – starting in 1963 with The Cornells and continuing with West Coast Legends Moby Grape – this is just his 2nd solo album (the other one being a self-titled album in 1995), released as CD in America (SteadyBoy Records) and LP in UK (Shagrat Records), somehow celebrating the 50 years anniversary from Moby Grape’s debut album, June ’67! Album consists of 10 songs “painted” by Peter’s 6 and 12 string lead guitars and his “attractive” haunting deep but warm baritone voice! The album was recorded in Austin, Texas over the past few years presenting a variety of rock styles from blues folk to country. Typical Moby Grape! Of course, the highlight of this LP is “Sailing”, a song written by Peter and his fellow bandmate Alexander ‘Skip’ Spence back in the day (“Oar” period). Peter worked on the song with Skip whilst he was still alive. He added a few parts and the result is a mind-blowing west coast psychedelic mid-tempo shimmering tune! The CD version comes with different artwork while “Valley Music Festival” is replaced with an exclusive track “Screwball”. It deserves to be placed next to “Moby Grape”, “Wow” and “Grape Jam”, and I am happy for it.

Peter




DART - Presenting DART [USA garage soul 1968] 2020 Sundazed digital file

 


Pacific Northwestern Soul from Salem, Oregon! Unearthed originals, choice covers, and previously unreleased instrumentals guaranteed to fill the floor.


MOSLEY GRAPE - Live at Indigo Ranch [USA rock, blues] 1989 SF Sound SFS-04880

 

Bob Mosley is principally known as the bass player and one of the songwriters and vocalists for the band Moby Grape.

Singer/songwriter and bassist James Robert Mosley was born December 4, 1942, in Paradise Valley, CA, and spent his teens playing in a number of garage combos, including the Misfits, the Strangers, and the Frantics. the Frantics eventually morphed into Moby Grape, and with a lineup of Bob Mosley, Peter Lewis, Skip Spence, Don Stevenson, and Jerry Miller, the band recorded the brilliant but ill-fated Moby Grape album, released by Columbia in 1967.

If ever a band was snake-bitten, it was Moby Grape, and thanks to backfiring publicity stunts, poor management, and record company snafus, the band never found a steady mass audience. It didn't help, either, that at least two of the members – Spence and Mosley – begin to show sings of mental disorder. Moby Grape managed to record two more albums with its original configuration participating before Spence and then Mosley left the band.

In 1969 Mosley joined the U.S. Marines, making it through basic training, only to be diagnosed as a paranoid schizophrenic (a mental condition that also afflicted Skip Spence) and was discharged from the Marines nine months later. He rejoined Grape for 1971's 20 Granite Creek album, but the group splintered after the album was completed. Mosley next signed with Reprise Records and his solo album, Bob Mosley, was released in 1972. By 1973 Mosley was listed as a ward of the State of California. He resurfaced in the late '70s as a member of the Ducks, who backed Neil Young on a series of impromptu bar gigs around Santa Cruz in 1977. In 1989 the odd Live at Indigo Ranch by Mosley Grape was released, and Mosley joined former Grape members Miller, Stevenson, and Lewis as the Melvilles (they weren't legally allowed to use the name Moby Grape at this point) to record Legendary Grape, which was released on cassette that same year, and has floated around as a bootleg ever since. Eventually the album was reissued on CD with eight bonus tracks in 2003 by DIG Music.

Moby Grape has reunited in different configurations (and under a variety of names) several times for shows and other projects over the years, sometimes with Mosley and sometimes without him. A soulful singer whose songs deftly bridged the gap between country and blues, Mosley contributed "Mr. Blues," "Bitter Wind," "Rose Colored Eyes," "Trucking Man," "Hoochie," "Lazy Me," "Come in the Morning," and other solid songs to the Grape canon in the early years.

By the mid-'90s he was homeless, sleeping under a freeway overpass in San Diego. Other members of Moby Grape have attempted at various times to help Mosley, and he still occasionally surfaces to play a show, but he appears to prefer life on the street, either by design or as a result of his illness. An album he recorded in the 1970s with members of Buddy Holly's band, the Crickets, was released as Never Dreamed in 1999 by the German label Taxim Records.

Mosley Grape