martes, 29 de diciembre de 2020
THE SCIENTISTS - The Scientists [Australia punk rock 1981] 2015 Numero Group NUM1233
THE LAISSEZ FAIRS - Marigold [USA mod, psychedelic 2019] Rumble Bar Records RUM048
TELEPHONE - Telephone [France punk rock 1977] 2006 EMI 094637117729
THE ROARING 420s - What Is Psych [Germany psychedelic rock 2014] Stoned Karma Records SK005CD
sábado, 12 de diciembre de 2020
PROTAGONISTS - 1983-1985 [USA punk rock, power pop 1983-85] 2020 Alona's Dream Records ADR 12 034
CLOVER - The Sound City Sessions 1975 [USA pop, rock 1975] 2008 Sonic Past Music SPMECD103
GIDIANS BIBLE - 1969, The Golden Voice Recordings [USA psychedelic rock 1969] 2017 Alona's Dream Records ADR CD 024
THE STEVE MILLER BAND - King Biscuit Flower Hour Presents [USA rock 1973-76] 2002 King Biscuit Flower Hour Records 7930188001-2
jueves, 3 de diciembre de 2020
LARRY BRIGHT - Shake That Thing! [USA rhythm & blues, rock and roll, 1960-64] 1997 Del-Fi Records DFCD 71253
Larry Bright was born Julian Ferebee Bright in Norfolk, VA, on August 17, 1934. His stepfather, a Navy man, nicknamed him "little Larry." The Bright family moved frequently around the South, finally settling in Corpus Christi, TX, where Bright learned to play the guitar. He was exposed to a musical diet comprised mainly of southern Texas blues, which later influenced everything he ever played or wrote. Bright moved to Southern California for his own somewhat brief stint in the Navy (he was released on a Section 8) and quickly established a reputation as both a dynamic guitarist and a performer with a penchant for odd behavior. He began jamming in the local clubs, including the Sea Witch, where, in 1959, he was scouted by producer Joe Saraceno (the Ventures, the Marketts), who invited Bright to lay down some tracks at Western Recorders. Once in the studio, Bright, inspired by Muddy Waters' "mojo song" (he didn't know the title) decided to make up a mojo song of his own: "Mojo Workout." After local black-owned Tide Records picked it up, the track received heavy airplay on KGFJ, the major R&B station in L.A. Jim Randolph, a black disc jockey at the station, thought Bright was a black artist and pushed him heavily. The song went on to hit number one on the black music charts in June 1960, and also charted, barely, on the Hot 100 at number 90.
After the Tide label refused to advance him any royalties (he intended to purchase a new suit for an upcoming American Bandstand appearance), Bright signed another recording contract, this one with Rendezvous Records. Tide found out and sued Rendezvous, retrieving the master tapes for a number of singles (Rendezvous, meanwhile, released Bright's "Twinkie Lee" single under the name Pete Roberts). Bright continued to record for Tide and released several more singles, including "Bloodhound," "One Ugly Child" (later covered by the Downliners Sect), and a great version of Andre Williams' "Bacon Fat." Tide later leased his contract to Del-Fi Records, which was already handling their national distribution. Del-Fi impresario Bob Keane attempted to have Bright cash in on the surf music craze of 1963, recording various surf and hot rod instrumentals, Johnny Rivers-style teen rock, and a Goffin-King penned dance number ("When I Did the Mashed Potatoes With You"). Bright continued to remain a fixture on the Sunset Strip scene and toured as the only white blues performer on an otherwise all-black tour headlined by Chuck Berry. He later worked with Lou Rawls and Roy Clark, and developed a bizarre friendship with Elvis Presley, who wanted to hire Bright as his guitarist, but eventually declined because of Bright's drinking problem. Bright remains an unknown due to his poor business dealings, legal problems, and alcohol-fueled madness. In 1997, Del-Fi collected most of his singles for a collection called Shake That Thing!
THE CONTENTS ARE - Four Each Other [USA psychedelic rock 1969] 2017 Alona's Dream Records ADR-12-021
DR. JOHN - Medical School The Early Sessions Of Mac Dr. John Rebennack [USA blues, swamp, rhythm and blues '50s - '60s] 1999 Music Club 50103
Dr. John's early work as a producer, sessionman, and songwriter for Ace Records is legendary, not only among fans of Mac Rebennack but among devotees of New Orleans R&B. Unfortunately, there was no easy way to hear this material until Music Club's 1999 release, Medical School: The Early Sessions of Mac "Dr. John" Rebennack. Clocking in at 18 tracks, the disc isn't complete, but it is definitive -- all the best-known cuts are here, along with a generous selection of little-known gems. To anyone but scholars and aficionados, most of the names on the compilation will not be familiar (The Ends, Al Reed, Ronnie & the Delinquents, Sugar Boy Crawford, Bobby Hebb, among others), and many of these cuts have never been well-circulated, or even released, but that's what makes the compilation so special. Not only are these lost classics from Dr. John, but these are lost gems from the prime period of New Orleans R&B. And this is not hyperbole -- listening to Medical School, it's hard not to escape the feeling that almost every song is a hit you've never heard or have forgotten about. The instrumentals are not weak, the novelties (such as "Morgus the Magnificent") are fun, and cuts like "It Ain't No Use," "Bad Neighborhood," "You Don't Leave Me No Choice," and "Keeps Dragging Me On" are simply fantastic, sounding for all the world like classics, not throwaways. And that's the reason why Medical School isn't simply a necessary addition to Dr. John's catalog -- it's an essential addition to any New Orleans R&B library.
REMEDY - The Golden Voice Sessions 1970-1974 [USA hard rock, psychedelic rock 1970-74] 2016 Alona's Dream Records ADR 12019
domingo, 29 de noviembre de 2020
ALEXIS KORNER - Both Sides [UK blues rock 1970] 2006 Castle CMRCD1417
By 1970, there were certain things you could count on with an Alexis Korner album. Those included an almost manic stylistic diversity that ran from near-trad jazz and blues to near-blues-rock; a top-notch cast of supporting musicians, and seriously inconsistent quality, in large part because of Korner's hoarse lead vocals. Both Sides has all of these, and remains one of his more obscure efforts, in part because it was issued only in Germany and Holland. Certainly Korner enlisted some top talent, including Free's Andy Fraser on bass; Paul Rodgers (also of Free) on backing vocals; Lol Coxhill on tenor and soprano sax; John Marshall on drums, and Ray Warleigh on sax. Give Korner credit, too, for trying to move with the times, including some nods to soul and heavy rock music along with the blues and jazz that were at his musical core, and making substantial use of a horn section within a loosely blues-oriented format.
MITCH RYDER - Sings The Hits [USA rock, pop, soul 1968] 2008 DBK Works dbk542
THE CLOCK WATCHERS - A Mind Blowing Trip Of Psychedelic Sound [USA garage, psychedelic 1990-2000] 2020 Gear Fab Records GF 294
LA BARRA DE CHOCOLATE - La Barra De Chocolate [Argentina garage, psychedelic rock 1970] 2011 Munster Records MR CD 316
martes, 24 de noviembre de 2020
PETER LEWIS - Just Like Jack [USA rock, blues, country 2017] SteadyBoy Records SB-0050
DART - Presenting DART [USA garage soul 1968] 2020 Sundazed digital file
MOSLEY GRAPE - Live at Indigo Ranch [USA rock, blues] 1989 SF Sound SFS-04880
Bob Mosley is principally known as the bass player and one of the songwriters and vocalists for the band Moby Grape.
Singer/songwriter and bassist James Robert Mosley was born December 4, 1942, in Paradise Valley, CA, and spent his teens playing in a number of garage combos, including the Misfits, the Strangers, and the Frantics. the Frantics eventually morphed into Moby Grape, and with a lineup of Bob Mosley, Peter Lewis, Skip Spence, Don Stevenson, and Jerry Miller, the band recorded the brilliant but ill-fated Moby Grape album, released by Columbia in 1967.
If ever a band was snake-bitten, it was Moby Grape, and thanks to backfiring publicity stunts, poor management, and record company snafus, the band never found a steady mass audience. It didn't help, either, that at least two of the members – Spence and Mosley – begin to show sings of mental disorder. Moby Grape managed to record two more albums with its original configuration participating before Spence and then Mosley left the band.
In 1969 Mosley joined the U.S. Marines, making it through basic training, only to be diagnosed as a paranoid schizophrenic (a mental condition that also afflicted Skip Spence) and was discharged from the Marines nine months later. He rejoined Grape for 1971's 20 Granite Creek album, but the group splintered after the album was completed. Mosley next signed with Reprise Records and his solo album, Bob Mosley, was released in 1972. By 1973 Mosley was listed as a ward of the State of California. He resurfaced in the late '70s as a member of the Ducks, who backed Neil Young on a series of impromptu bar gigs around Santa Cruz in 1977. In 1989 the odd Live at Indigo Ranch by Mosley Grape was released, and Mosley joined former Grape members Miller, Stevenson, and Lewis as the Melvilles (they weren't legally allowed to use the name Moby Grape at this point) to record Legendary Grape, which was released on cassette that same year, and has floated around as a bootleg ever since. Eventually the album was reissued on CD with eight bonus tracks in 2003 by DIG Music.
Moby Grape has reunited in different configurations (and under a variety of names) several times for shows and other projects over the years, sometimes with Mosley and sometimes without him. A soulful singer whose songs deftly bridged the gap between country and blues, Mosley contributed "Mr. Blues," "Bitter Wind," "Rose Colored Eyes," "Trucking Man," "Hoochie," "Lazy Me," "Come in the Morning," and other solid songs to the Grape canon in the early years.
By the mid-'90s he was homeless, sleeping under a freeway overpass in San Diego. Other members of Moby Grape have attempted at various times to help Mosley, and he still occasionally surfaces to play a show, but he appears to prefer life on the street, either by design or as a result of his illness. An album he recorded in the 1970s with members of Buddy Holly's band, the Crickets, was released as Never Dreamed in 1999 by the German label Taxim Records.
jueves, 19 de noviembre de 2020
FAIRPORT CONVENTION - What We Did on Our Saturday [UK folk rock 2018] Matty Grooves MG2CD055
What We Did On Our Saturday offers 25 cuts, all but three dating from 1967 to 1973 and just one – the pleasant Our Bus Rolls On – from the last 20 years.
Proceedings open with a storming Time Will Show The Wiser from the 1967 debut album, reuniting original vocalists Judy Dyble and Iain Matthews and featuring Richard Thompson’s sublime guitar work. Fairport’s 1969 folk-rock classic Liege & Lief is represented almost in its entirety, with Chris While channelling the late Sandy Denny most effectively, and Thompson is heavily featured on a string of tracks from the follow-up Full House.
Ralph McTell performs a moving White Dress while Sally Barker, PJ Wright and Maartin Allcock pay tribute to the late Trevor Lucas with a rousing rendition of the Fotheringay track The Ballad of Ned Kelly.
There’s the usual Fairport ending of Meet On The Ledge, performed by practically everyone who has been involved with the band over the last 50 years (and are still alive) and supported by the massed vocal talents of the Cropredy crowd. We’ve heard it so many times before but those Thompson lyrics – “When my time is up I’m gonna meet all my friends… it all comes round again” – still bring a lump to the throat.
This is both a worthy document of an obviously successful festival and a fitting celebration of half a century of great music – Fairport could say Farewell, Farewell now and this recording would provide a fine finale.
NICODEMUS & MATCHEZ - A Light In The Dark [USA folk, psychedelic rock 1996] Parallel World PW-CD3
"Nicodemus, Detroit's 'web-spinning madman of wisdom and space,' is a subcultural Renaissance Man. He and his brother Matchez have recorded, singularly and collectively, over 50 albums for Zedikiah Records, the record label Nicodemus started in 1970. He has published 14 book's of poetry, prose and fiction. He has sired three sons by as many wives and presided over the infamous Satan's Last Revenge Motor Club. He studied for 11 years the healing ways of the Mescalero Apache and is known as Whitecrow in Native American circles, proudly displaying the symbol of a healer over his left eye. He is a surrealist painter of some renown who signs his work 'Chongo'. Nicodemus and Matchez's recordings have long been held sacred by a worldwide cult of fanatics of esoteric music. Their sounds are eclectic, ranging from future folk to heavy rock and even acid house... Jello Biafra said about Nicodemus in Incredibly Strange Music: 'My runaway favorite space-folk artist... an instantly recognizable voice that'll send chills down your spine."
MORNING REIGN - Taking Cover [USA garage, psychedelic 1968-69] 2020 Sundazed - digital file
domingo, 15 de noviembre de 2020
THE PAUL COLLINS BEAT - Another World (The Best Of The Archives) [USA power pop] 2020 Alive Records 02II-I
“Another World – The Best Of The Archives” compiles 13 previously unreleased material going back to 1978 and the early days of the Paul Collins’ Beat. None of the recordings have been released before and all have been carefully remastered.
SCREAMING URGE - Impulse Control (Complete Recordings 1980-1981) [USA punk 1980-81] 2002 Hyped To Death – Homework #101
LES OLIVENSTEINS - Les Olivensteins [France punk rock 1979-80] 2011 Born Bad Records BB0031
The best-ever French '77 punk band, next to Metal Urbain. Killer and cult and a true must-have. This is an official reissue, with a lot of unissued tracks. "In a particularly raw moment captured on the disk you are holding, the singer (whose name escapes me) shouts derisively at the audience, 'Vivement que je sois vieux, tout sec et tout rugueux?" (trans. 'I can't wait to be old, dried out and bumpy'). And indeed, it required not only the passage of three decades, with their corresponding toll on these two-bit heroes, but also the benevolent determination of JB Wizzz and the utilization of space-age technology to transform crusty cassettes, forgotten in a dusty corner, into something vaguely listenable that resembles an album of the Olivensteins. Obviously, this is not precisely the record that we dreamed of making in 1979. It certainly would not have contained bits of concerts. (But finally, who knows?) However, the sonic dabbling that you will discover on the demo of 'Euthanasie' and some rather strange tracks like 'Le Spécialiste' are surely examples of what we wanted people to hear at the time. All this will astonish you, proving that (yes, yes!) the Olivensteins possessed unsuspected abilities, had a taste for originality and could occasionally transcend being simple morons. Naturally, certain compulsive freaks, itching for their nerdy thrills, will complain that we have not unearthed other morsels from our repertoire for this album. But even if certain 'songs' like 'Le Doryphore,' 'Né Pour Dormir' or 'Pétain Darlan C'était Le Bon Temps' (which takes direct aim at the stupid 'Nazi Chic' that was trendy at the end of the '70s) are not found on this somewhat incoherent compilation, it is only because no version exists that is even close to listenable. If you don't manage to understand all the words, or if the wretched singing bothers you, don't worry about it: fortunately, this is not an album of syrupy French 'chansons!'" Eric Tandy
jueves, 5 de noviembre de 2020
SPANN - Let The Hell Hang [Canada garage, blues psychedelic rock 1979] 1997 RD Records RD 3
HOJAS (PHOLHAS)- Hojas (Dead Faces) [Brasil soft psychedelic rock 1973] 2000 RCA, BMG Music Spain, S.A. 74321779612
Formed in 1969 in São Paulo, SP, Brazil, the Pholhas was named as a suggestion from a friend of the members Paulo Fernandes, Oswaldo Malagutti, Helio Santisteban and Wagner Benatti during their first rehearsal.
The band used to play at dancing clubs in the city in order to achieve popularity. And it happened quickly.
The first album was recorded in 1972 and released in 1973 by RCA Records, all sung in English in a time when this was not common in Brazil, where the language spoken is Portuguese.
The album DEAD FACES reached the # 1 position on the charts just 3 months after its launching, with 450,000 copies sold. This album won Pholhas' first gold album.
JOHNNY GUITAR WATSON - Untouchable! - The Classic 1959-1966 Recordings [USA r&b, blues, soul] 2007 Ace CDCHD 1180
BO DIDDLEY, MUDDY WATERS & LITTLE WALTER - Super Blues [USA blues 1967] 1992 MCA MCD09168
In 1968, Chess Records' lesser known subsidiary Checker Records engaged in an interesting experiment. Perhaps inspired by similar blues supergroups such as Cream and Steampacket, or 1964's Two Great Guitars, which paired Bo Diddley recording alongside Chuck Berry, Checker brought together some of the best artists in their roster - Diddley, Muddy Waters, and Little Walter - to combine their talents into an album of hard-hitting, soulful Chicago Blues. The three bluesmen were brought together by legendary R&B producer Ralph Bass to record Super Blues, an informal jam session which featured a backing band of blues greats such as Buddy Guy on guitar, and Otis Spann on piano. Critics remain divided over the merits of Super Blues as an album, but most agree it occupies a remarkable place in history both as an experiment and as a shape of things to come. Recorded at a time when electric blues influence on the mainstream was at it s height, shades of Waters & Bo's future proto-funk experimentation can be heard throughout Super Blues' rough-at-the-seams, yet still loose and relaxed tracks. The main players sound as strong as ever, as impromptu vocals and humorous asides are tossed into off-kilter re-workings of classic tracks like Diddley's "I'm A Man", Waters' "I Just Want To Make Love To You", and Walter's "My Babe". A truly unique release to come from the ranks of Chess, Super Blues is a rare glimpse at three blues powerhouses from within the studio itself.
jueves, 29 de octubre de 2020
Δέλτα (Delta) - Μωβ (Mov) [Greece psychedelic 1981] Pan Vox 10237
Live Recorded in Studio 51 of Thessaloniki in 1981
In 2-12-1981 in the studio 51 of Thessaloníki was live recorded, in a special night with free entrance, this album with two groups Delta and Mov.
The band of Mov was one of the most popular groups of Thessaloníki city.
On the other hand Delta was a brand new band which proved there value with these four songs. They have been influenced by psychedelic rock.
This album remains one of the most collectible in Greece thought it was live recorded.
Δέλτα - Μωβ (rip by GalacticGarden)
LIED DES TEUFELS - Lied des Teufels [rock, psychedelic rock, blues rock 1973] 1994 Ohrwaschl Records OW032
GRIT - Grit [UK hard psychedelic rock 1972] 2020 Sommor SOMM059
THE ELECTRIC FLAG - Live From California 1967-1968 [USA rock, blues rock, soul] 2017 RockBeat Records ROC-3390
Two fantastic live shows from The Electric Flag at the peak of their career.
The first was performed at the famed Whisky A Go-Go, West Hollywood, CA in September 1967, just one week after their gig at Fillmore West opening for Cream
The second was recorded at the equally legendary Carousel Ballroom, San Francisco, CA in May 1968 and features the original band lineup: Mike Bloomfield, Nick Gravenites, Buddy Miles, Barry Goldberg, Harvey Brooks, Herbie Rich, Doubleday and Peter Strazza.
The Electric Flag was one of the premiere rock bands of the 1960's. Organized by Mike Bloomfield, who had just left the Paul Butterfield Blues Band, the band featured such notable talent as Buddy Miles, Elvin Bishop, Nick Gravenites and Barry Goldberg. The Flag was the first band to feature a full horn section in support of its searing blues and jazz based rock originals.
The Electric Flag astounded both critics and the public, both of which proclaimed the band as the world's greatest. And they were, indeed! No one ever came close to their combination of brilliant musicianship and hard blues based commercial music. Sadly, egos prevailed and the group broke up after only two years of performing and recording. Their albums are still selling today and are regarded as essential albums for any rock library.
viernes, 23 de octubre de 2020
JEFF BECK GROUP - Twilight Of The Idols - Live 1967-1968 [UK rock, blues] 2019 Shockwaves SHOCK06CD
Classic Radio Broadcasts from San Francisco and London. Jeff Beck staggered out of The Yardbirds in early 1966 without a clear idea of where he was going next. Having walked out of the band after years of gruelling tour schedules with little in the way of either fame or fortune, he was initially launched as a solo artist by manager Simon Napier-Bell and producer Mickie Most. Although a chart hit, his debut single, Hi Ho Silver Lining, captured little of his instrumental talents or raw energy, and instead it was its B-Side, Beck s Bolero, which pointed to a possible future. Assisted by the cream of his contemporaries on the British music scene Jimmy Page, John Paul Jones, Nicky Hopkins and Keith Moon the track suggested Beck would still work better as part of an ensemble. In the early months of 67 he formed The Jeff Beck Group, and over the course of the year the band concentrated on building up their public profile, both domestically and internationally. In Britain, they were frequent guests on BBC radio, both on the long running Saturday Club and on John Peel s brand new show, Top Gear . Meanwhile, future Led Zeppelin manager Peter Grant had spotted the huge potential of the burgeoning live music scene across the Atlantic, and he convinced the band to undertake a US tour in the Spring of 1968. The tour proved to be a massive success, with gushing reviews following the Beck Group across the country from their opening show in New York to their closing night at the Fillmore West in San Francisco. By the time the curtain came down, Grant had secured them a new recording contract with Epic records, a few weeks later Jeff Beck s Group debut album, Truth, appeared. Twilight of the Idols showcases the key live performances from across this early chapter in The Jeff Beck Group s career. Presented here are the complete BBC sessions from 1967 and 68, including the initial appearances on The Saturday Club that featured the rotating cast of players, with Mickey Waller and Dave Ambrose on the first gig replaced by Ron Wood and Anysley Dubar by the time of the second. Following the collection of BBC broadcasts we bring you the legendary show at The Fillmore West on the 24th of July 1968 - last night of the Beck Group s first US tour and a seminal moment in Jeff Beck s career.
DALTON'S FAMILY - Enxiety [Greece psychedelic rock 1981] private press SPR 208
Possibly the best secret of the greece psychedelic rock scene. The one and only release of this fantastic psychedelic soft rock band.
Released private press from the band at 1981. Very, very rare to find.
VVAA - Cologne Curiosities · The Unknown Krautrock Underground, 1972-1976 [Germany kraut rock ] 2016 Mental Experience MENT005CD
“Cologne Curiosities” collects, for the first time on vinyl, all the otherwise unpublished/un-reissued material that firstly appeared on the three "Unknown Deutschland - The Krautrock Archive" CDs released on Virgin during 1996.
The recordings included here were made between 1972 and 1976 using studios in and around Cologne, produced by Toby Robinson for his own amusement, just having fun on the studio. Inevitably, bands would come in for practice sessions, to record demo's, and during slack periods impromptu jams would happen. Most of these sessions were recorded by Toby, and they feature Toby himself plus a revolving cast of friends and musicians (some of them apparently big Kraut names under pseudonym).
Including lost-in-time bands / studio projects like Astral Army, Fuerrote, Spirulina and Baal among others, the music here ranges from killer proto-New Wave Kraut psych to wild space rock, proto-ambient electronic, dark psychedelia and raw Kosmische sounds with lot of analog synths / Moog.
It was during that time in Cologne, that Toby, along with Fluxus artist Robin Page, gave birth to the mysterious and controversial Pyramid label, for which these tracks were originally made for.
LOU REED - Thinking Of Another Place (Live In Akron 1976) [USA classic rock] 2006 Easy Action EARS021
Recorded live at the Civic Theater in Akron, Ohio on October 23, 1976, Thinking of Another Place appeared first as an FM radio broadcast before getting remastered and restored in 2006. The two-disc set draws heavily from Reed's seventh solo album, Rock and Roll Heart, for which he was touring in support of, but the set list draws from his entire career, including his Velvet Underground days.
domingo, 18 de octubre de 2020
JOHNNY RIVERS - Summer Rain - The Essential Rivers 1964-1975 [USA rock and roll, por rock 1964-75] 2006 Raven RVCD-245
True, this 25-track, single-disc compilation isn't as extensive as the two-CD set usually hailed as the best Johnny Rivers collection, Rhino's Anthology, 1964-1977. It's also true that it's missing a few of the Rivers singles that tickled the bottom half of the Top 100, like "Cupid" and "These Are Not My People." If you're looking for the ultimate single-disc Rivers comp, however, this 77-minute CD is probably as close as anyone's going to come. Summer Rains: The Essential Rivers has every one of his Top 50 hits from between 1964-1975, of which there were many, adding up to 18 in all. The other seven cuts include some of his most interesting LP tracks, among them three early Jimmy Webb covers (from 1967's Rewind album); an orchestrated version of Gram Parsons' "Brass Buttons"; the late-'60s recording "Going Back to Big Sur," one of Rivers' relatively infrequent original compositions; and his 1968 cover of "Positively 4th Street," famously cited by Bob Dylan (in his Chronicles Vol. 1 book) as his all-time favorite interpretation of one of his songs. And, frankly, cutting away some of the flab from the later part of this period makes this a tighter, more consistent listen than the more comprehensive Rhino set. For most people, this will be all the Rivers you want and need, complemented by detailed liner notes.
J.D. BLACKFOOT - Live In St. Louis - July 16,1982 [USA psychedelic rock 1982] Bison Record Co. B-44
SALVATION - This City [USA North Caroline psychedelic rock 1979] JTO Records JTO-7-25-79
All songs, words and music by John Oxford. Great guitar.
sábado, 17 de octubre de 2020
NIKKI SUDDEN & ROWLAND S HOWARDS - Kiss You Kidnapped Charabanc & Live In Augsburg [UK rock 1987] 2002 Secretly Canadian SC57
This extraordinary collaboration between former Swell Maps guitarist/vocalist Nikki Sudden and Birthday Party/Crime & the City Solution guitarist/vocalist Rowland Howard comes highly recommended to those following the post-punk axis that spawned Nick Cave, These Immortal Souls, and the Wreckery. The pair first worked together on Sudden's solo album, Texas, which was also released on Creation and featured brilliant performances from Howard in his trademark knife-edge blues guitar. Further collaboration seemed inevitable, as the duo incidentally shared many connections in the post-Birthday Party scene. Rowland Howard frequently worked with the late Epic Soundtracks in Crime & the City Solution and later in These Immortal Souls. The legendary drummer and vocalist was Nikki Sudden's brother and a key figure in the urban blues sound that grew out of the splitting of both the Birthday Party and Swell Maps. Kiss You Kidnapped Charabanc is an outstanding opus derived of the duo's shared love for the crafts of Alex Chilton and Big Star in their darker moments, Lee Hazlewood, Serge Gainsbourg, sinister country, and Delta blues. The reissue version contains the original album, which at the time of release in 1987 was a dark surprise from the post-punk underground. The album set the precedent for the formation of These Immortal Souls, where Rowland Howard would later present his best songwriting on record. This album holds its own next to later masterpieces Get Lost (Don't Lie) and I'm Never Gonna Die Again, while Nikki Sudden continued to mine the Rolling Stones and T. Rex's songbooks for inspiration with the Jacobites and the French Revolution. The extended reissue includes The Wedding Hotel EP plus the outtake "French Revolution Blues" and an incredible and unreleased 12-song live set from 1987 recorded in Germany, with Sudden and Howard both on guitar and vocals abetted by the Gun Club's infamous drummer, Desperate, and bassist Duncan Sibbald.
domingo, 11 de octubre de 2020
THE BEVIS FROND - Live From The 4th Psychedelic Network Festival 2011 [UK neo psychedelic 2013] Woronzow WOO 61CD
The Bevis Frond was the banner used by Nick Saloman, a neo-psychedelic Renaissance man and the sole constant writer, performer, and producer behind the cottage industry bearing the Frond name. The head of his own label (Woronzow) as well as the co-publisher of his own underground magazine (the highly regarded Ptolemaic Terrascope), Saloman was a quintessential English eccentric, a frighteningly prolific talent and a true anachronism purveying an archaic musical genre while simultaneously pioneering the lo-fi aesthetic. The Bevis Frond's influences were strongly rooted in the '60s, as Saloman's music blended elements of psychedelia, pop, early hard rock, and folk, with plenty of epic-scale guitar soloing laid over the top as he sang his lyrics that leaned to the pastoral and the engagingly addled.
THE HOLY MODAL ROUNDERS - Last Round [USA folk, country 1978] 2000 Adelphi Records Inc. GCD 1030
Unless, like the Holy Modal Rounders, you've spent a lot of time listening to Harry Smith's Anthology of American Folk Music while ingesting recreational drugs, their music might sound a bit odd to you. Actually, given the ramshackle performances, it sounds a bit odd in any case, but as with any humorously intended work, appreciation of it depends on one's sympathy with the artists. For initiates, this seventh (and, so it seemed at the time of its release, final) album was one of the Rounders' better ones, with Peter Stampfel, Chris Weber, and especially Robin Remaily turning out characteristic new work and covers of old songs like "Euphoria" and "If You Want to Be a Bird" backed by a rhythm section. "August, 1967 (Hippies Call It STP)," borrows its tune from "Fishin' Blues," while head Rounders Peter Stampfel and Steve Weber sing a paean to psychedelic drug use that breaks down into odd references such as this allusion to Amos & Andy: "'Splain dat to me, Kingfish, it ain't too clear/King it to me, 'splainfsh, said the engineer."The CD reissue released on June 27, 2000, added three bonus tracks. "TV Song" is a tribute to the addictive power of television; "Year of Jubilo" revives a Civil War victory celebration; and "Snappin' Pussy" is an appropriately bawdy follow-up to an earlier Rounders favorite, "Boobs a Lot."
THREE SOULS IN MY MIND - Rock & Roll Band, Mexico City 1970-71 [Mexico hard psychedelic rock 1970-71] 2010 Therapeutic Records THR-002